Dwarrows DevLog #3

Dungeons and Character Swapping

The player will have the ability to swap between 3 characters. In general town-related gameplay, each character will have unique abilities and contributions to the team. Most of the time, it is not necessary that the characters be together to complete a task.

In dungeons, however, the player must control all three characters to complete puzzles and advance.

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In the above screenshot, the glowing platform on the floor to the right of the balcony is an elevator. Just in front of the balcony there is a small lever that controls the elevator. If the player tries to pull the switch, run over, and jump on the elevator, they won’t make it in time. The solution is to position one character on the elevator and then have another character pull the switch for them. This is made easy with the character-swapping ability. With a single keystroke the player can instantly take control of any one of three of the playable characters.

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Naturally, there may be times that repeating a task in a dungeon would detract from the fun, such as having to walk all three characters through a long hallway or flight of stairs. This is why dungeons are designed with this in mind. Whenever the player completes a task that would be tedious to repeat, there will be a “Friendship Fountain” available nearby that will transport the other two characters to that location. The fountain allows the players to continue in the dungeon with all three characters when they need them without any frustration of having to manually move three characters from room to room.

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Game mechanics such as levers, elevators, floor buttons, timed switches, and locked doors are universal puzzles that will be found throughout the world and in every dungeon. Some dungeons will only be accessible/completable if the player has acquired certain equipment as the entrance and puzzles will require use of the equipment for the player to proceed. There are also some puzzle mechanics that are unique and specially made for a dungeon which may only appear once.

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Another puzzle element we will see repeated throughout the dungeons is the key-shard collection. Scattered throughout the dungeons are pieces of a key hidden within treasure chests. The chests will be hidden or hard to reach and may require the player to go out of their way or complete a puzzle to reach them.

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After all the shards are collected they will form a complete key that will open the door to the final chamber of the dungeon.

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Ultimately the goal is to reach the final chamber where the player will find treasure. Depending on the size, difficulty, and importance of the dungeon the loot could simply be gold and common resources or it could be more important like a unique structure for the player’s town or even special equipment for the characters that adds new abilities.

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Dwarrows DevLog #2

A Quick Overview of Dwarrows

What is Dwarrows?

Dwarrows is a peaceful town-building game that borrows from the Action Adventure genre.

Take control of three uniquely skilled characters to leave the confines of the town, explore the lush forest surrounding it, and work together to solve puzzles.

Gather resources to build your town, invite the wandering elves to join it, and discover treasures within the ruins of a forgotten civilization.

Specs

Engine: Unreal 4

Genre: Town-Building/Adventure/Metroidvania

Mood: Happy, Peaceful, Calm

Art: 3D, Handpainted, Colourful

Major Gameplay

Town Alchemy

The Town Alchemy System allows players to experiment with combining structure types to create a new one. The logic is similar to that of Little Alchemy. When the player disscovers a new structure type they receive a blueprint which they can use to build that structure in town.

Examples:

Tent + Tent = Small House

House + Small Store = Inn

Puppet Show + Farm = Circus Tent

Treasure chests and rewards from quests will also be minor ways of getting your hands on blueprints.

Puzzles and Dungeons

Throughout the world, the player will encounter puzzles. Sometimes spread throughout the outdoors in the environment and sometimes in the form of a dungeon. At times, the puzzles will be ways to move forward in the environment/story, other times it will be used for gaining specific rewards. Puzzles are similar to the MetroidVania style with some minor 3D platform jumping.

Similar to Trine, many of the dungeons will require 3 character coordination for completion.

Example:
This room has two floor buttons, one powers the door, the other opens it. If either button becomes unpressed the door closes.

To solve: Two characters stand on the buttons, the third character walks through while it is open, finds a switch in the next room which opens up a new path for the two characters who were left behind.

Resource Collection

The three main resources that the player must collect to build their town are: Wood, Stone, and Gold. These can be obtained by the Dwarf with his wood-axe and mining-pick, or by any character if they search a geocache. Gold can also be found on treasure hunts with the Halfling.

Backstory

The Queen, The Commonwealth, and the Little Elves of the Wood

The entire reason the protagonists have come to this forest and are building a town. Many races belong to a peaceful Commonwealth under the rule of a High-Elf: Queen Solatia. This includes the realm of Dwarves, Gnomes, and Halflings (the races of our protagonists). The homelands of the Wood-Elves had been destroyed a very long time ago and have since been wandering the world with no territory of their own. That’s where the protagonists come in. The Queen enlists your team of expert colonizers to help rebuild a civilization. This explains how everyone came to be where they are.

-Andy

Dwarrows DevLog #1

Introductions

My name is Andy C. Wood and I am an independant game developer. My duties with Lithic and on Dwarrows are in design, art, and project management. I am also going to be heading our social media and marketing efforts, so if you like what you see in this game, you’ll be getting to know me.


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As you can tell from all the titles I have in my introduction, we are a very small team. Officially, I am the only full-time member. Our programmer sweats away like a workhorse in all of his free-time, which roughly adds up to a bit more than part-time hours on the project, and this is pretty impressive, considering we’ve been muddling around with this schedule for 3 years. We also have a floater who studied multimedia and works part-time to bravely take on tasks which rarely ever fall into the same job description as the last.

Dwarrows has been a really long RPG boss battle where the boss takes on multiple forms and you didn’t level up enough before starting it. This is why you need to stock up on “Phoenix Downs”, kids.

Origin Story

My partner Alain Bellemare and I started knocking around an idea back in 2011 for a game, that to summarize, was basically a third-person Dwarven Fortress. At the time, I was still in college studying animation so I wasn’t much help yet and I probably did little more than brainstorm and add to the scope of the project with grandiose ideas of our first big title. The game was mostly concept and testing in Unity with some programmer-art but it was enough for our naive selves to feel motivated enough to continue with this idea of a “Dwarf-game” when I finished school.

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Straight out of school I was hired to work as a project manager on a post-grad grant associated with my college and a local historical site because of some PM experience I had with a group project that we did in our final semester. On the grant, I managed a team of 8 artists and two animators for an augmented reality experience that was built in Unity. I’ll keep it brief, but that experience ended up being both tremendously positive and negative, but ultimately an extremely educational one. I was forced to take on roles I never thought I would such as makeshift network administrator to Executive Visionary of Toilet Paper Experience Operations (a self-given title for the exemplary work I did maintaining the flow of that white, 2-ply, spice to the women’s washrooms.) Not to mention the experience as a project manager would really help when I was gunning to start real development on a project of my own.

The 8 month stint on that project led to two more Unity-based augmented reality grants. The entire span of all of these grants was two-years off and on. When I wasn’t employed on a grant, I was working on Dwarrows, which, if you remember my boss-battle metaphor, was in an entirely different form.

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Roughly around the time that I was finishing up the first grant project (December 2012) we were finally deciding on where we wanted to go with Dwarrows and it was no longer a 3rd person Dwarf Fortress, but a multiplayer, team-based, tower-defense where you collected resources to upgrade your castle as well as your defenses, all the while organizing an effort to destroy the other team. The setting was a happy, lush forest by day, but a monster filled danger-zone by night (inspired by Kithicor Forest in the original EverQuest.). The players had to make the choice at night to stay in the safety of their castle and build new defenses or take a risk and brave the dark forest where they could be spotted by the invincible Naek, a tall, slender, and all-black, creature that would grab your character and slowly drag them off to drown them in the river. This would waste precious time and a run into the night could wind up being a setback for the team, but if the player successfully eluded the Naek and managed to gather gold and other precious resources, the team could get really far ahead of the other.

Even now, I still think this is a great idea. But that’s just it, it’s just an idea and ideas are cheap. The value of a game is not in it’s great underlying idea, but in the execution of that idea. This was an extremely complicated game to make and adding to the fact that we wanted it to be multiplayer. Yeeesh. Plus, we were making it in the “free version” of the Unreal 3 Engine. Have you ever tried to do networking in Unreal 3 with zero access to C++? Al hated working on it and I had frustrations and limitations as I was so freshly out of college. The anger towards the engine and the frustrations with how slow everything was moving really started to show through in our work and when we reached a major milestone, instead of being happy we realized we disliked the game we were making and we probably wouldn’t play it ourselves. In execution there were a lot more holes in our design than we anticipated and we were like that little dutch boy trying to plug our fingers in the dike, only to have two more leaks spring up.

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This is when we realized we needed to abandon the game we worked on for over a year. We had it in a playable state, with artwork and characters; we had even hired a voice actor to be the gameplay narrator. But this game was such a monstrosity, a mess made from lack of full-time hours and inexperience. I’m still proud of it and I still consider it a finished first game, but I knew it was going to be a flop and it wasn’t going to be worth it to get it into a shippable state. We decided to cut our losses and try to salvage what we could from the wreckage. We kept the art-style, some game design ideas, environment assets, character models, and animation sets, and we set sail in the newly released Unreal 4 Engine with a much more cohesive and realistic idea this time. Although really, really, close: this was still not the final form.

Fast forward through a few developed and tested gameplay ideas we built, disliked, and abandoned. We were finally settled on the idea of a 3rd person town-building game that allowed the players to take control of the characters who would manage and support the town. The forest surrounding the town would not be a barren place filled only with resources for the player to exploit, but a handcrafted environment of adventure and dungeons to puzzle through filled with strange eccentric characters to encounter.

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We kept the three playable characters and their functions from the original Dwarrows and applied them to our new game. The Gnome whose building-genius would take control of the development efforts, the Dwarf who collected resources with his arsenal of axes, and the Halfling whom as an expert treasure hunter possessed the skills to adventure and explore. They would work together, but separately. This same concept would be applied to the dungeons in which the puzzles require all three characters (similar to Trine). In the forest and dungeons, the team would encounter new equipment which would change and improve the gameplay (like a metroidvania) for both the adventuring and the town building portions.

We were finally happy with this idea, but a few months in there was just one problem: in all this game making, prototyping, grant and side-contract working our skills had improved. Why was this a problem? All of our older work was now unsightly to us and in my case in order to keep a unified look I would necessarily have to make worse art than I was capable of producing. For me, this was a setback of months. I managed to work out a happy compromise of sticking to the original art style while improving everything that I made.

How I keep-on-keeping on.

I heard a piece of advice from Mike Krahulik of Penny Arcade, or was it Ken Levine of Bioshock fame? A quick, lazy google search is making me think they both said it in one form or another. “Be too stupid to quit”. This is what I kept replaying in my head every time things got daunting, every time I felt like the whole project was going to implode on me, every time I woke up briefly from my stupor to realize how unlikely it was that it would go anywhere or how I’m working my twenties away on a chance at an opportunity to maybe get to be roasted by online comments: I told myself this over and over, I repeated it to my small team, I repeated it to my partner, I wrote it in my diary.

This entire blog post has been about making mistakes and about bouncing back from them and continuing. Every step of the way, every choice I made, I made sure to let that phrase ring through my senses. It’s not as if we never heard advice pertaining to the mistakes we made before we made them, but there is a difference between understanding something and really “getting it”. Sometimes, you have to experience it yourself, and sometimes the advice-givers aren’t right. It’s hard to tell and you have to be willing to take risks.

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There is always someone trying to tell you “no”, trying to keep you from trying because you are likely to fail. Failure is only failure when you quit. If you fall and then pick yourself up, figure out what you did wrong and try to not do it the next time, that is called learning. You can’t let yourself be bogged down by the fear of failing, or all the advice and better-judgement that might convince you to take a safer route. If you have a dream that you really, really want to achieve you have to turn off all of those voices in your head telling you all the reasons “why you shouldn’t” and be just dumb enough to attempt it again despite all statistics and data. As long as you come up for air every once in awhile long enough to honestly analyze yourself and your project, I really do believe in this “method” because the odds can be crushing and overwhelming.